It was a running joke in my grad school theatre program that nobody had much time for pleasure reading. We were all academics, and we read a lot, but very rarely did we read anything other than plays and theatre pedagogy. I remember encountering one of my fellow students and telling her I was reading a novel, and her sighing dramatically.
“I remember novels,” she said, mock-wistfully.
Her reaction — she was a third-year at the time, and I was a first-year — inspired me to be sure I made time for books. As an undergraduate, I’d seen an article about how theatres and graduate programs weren’t just looking at what your experience on your resume was — they were asking what shows you’d been to see recently, because theatre professionals are infamous for working a lot of shows but not seeing a lot outside of what they work on. So as a theatre kid I committed to seeing a lot of theatre, and when I transitioned into a more literary field, I committed to reading a lot of books. I’ve kept that commitment for many years, and while I don’t quite hit the magic “fifty two books a year” which seems so pleasant and symmetrical, I usually manage to read twenty to thirty.
So far this year I’ve read six, and that’s counting two that I read in very late December of last year. Mind you, I’ve read a lot of comic books, at least a few novels’ worth, so perhaps this year will simply be the year of comics. And the books I have read have been fairly intense: heavy political commentary, literary historical fiction, Lovecraft. Still, time to get back into novels.
As an adult, with a job (really two jobs) and a plethora of transitional events this year, from surgeries to moves to promotions, it’s easy to say that I don’t have time to read because I’m a little busy managing my actual life, but that’s also an excuse that will be valid forever; everyone has a busy life. It takes time and energy to commit to what in the corporate world is called Professional Development — keeping up skills, learning new ones, and understanding the trends and advances in our chosen field. In my case, professional development includes reading, both for pleasure (to remind myself what is pleasurable about literature) and as a form of continuing education. It means you make time for it, even when that’s difficult to do.
To be a writer, particularly a writer who wishes to speak to a culture or from a culture, you have to be a part of the culture, to understand what you can of it. Reading isn’t the whole of that but it is a significant piece, and it’s the easiest to achieve — all you really need is time, and either money or a library card.
Time to get back into it.